- My contemporary amber
Resin enters my practice as more than a material choice; it becomes a temporal device. Unlike traditional amber, which preserves organic remains, resin encapsulates the symbolic debris of our contemporary condition—technological fragments, artificial nature, manufactured emotions, and cultural residues. It is a man-made amber for a man-made era, a container that freezes the logic and aesthetics of produced nature.
- Failed tools and new forms of connection
In the Amber of the Everyday works, fishhooks are sealed within resin; their original function of piercing and capturing is suspended. Once instruments of harm, they now intertwine gently, forming structures of dispersed and converging forces. Within this transparent “contemporary amber,” I embed diodes, artificial plants, imitation pearls, and piercing rings. objects that simulate nature yet belong entirely to artificial systems. These sculptures explore a state of “bionic failure,” where imitation becomes its own ecology.
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Amber of the Everyday
2025
Resin, Artificial Plants, Circuit Boards, Stainless Steel, Artificial Pearls
280 x 30 x 30 cm ( 10 pieces)
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- Flexible violence in urban space
The fence series examines the overlooked apparatuses that delineate and regulate urban life—railings, warning barriers, and anti-theft structures. Slender and seemingly fragile, they perform a subtle yet persistent form of discipline: a “flexible violence” that does not wound but continuously organizes movement, perception, and psychological boundaries. By translating these urban boundaries into transparent, soft, and colorful sculptural forms, I allow them to escape their controlling roles and become autonomous visual entities, part of the artificial ecologies of the city.
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- Puncture, suspension, and the forces between things
In my reinterpretation of Psyche Revived by Cupid’s Kiss, I reconstruct the classical narrative of love through resin, stainless-steel chains, and piercing rings. The structural logic of puncture – connection – suspension serves both as a physical strategy and a symbolic system. It speaks not of romantic love, but of the universal tensions that bind things together — attraction, entanglement, inseparability. This work reflects on love as a force field, a relational condition that extends beyond human emotion into the dynamics between bodies, objects, and space.
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Resin enters my practice as more than a material choice; it becomes a temporal device. Unlike traditional amber, which preserves organic remains, resin encapsulates the symbolic debris of our contemporary condition—technological fragments, artificial nature, manufactured emotions, and cultural residues. It is a man-made amber for a man-made era, a container that freezes the logic and aesthetics of produced nature.
- Failed tools and new forms of connection
In the Amber of the Everyday works, fishhooks are sealed within resin; their original function of piercing and capturing is suspended. Once instruments of harm, they now intertwine gently, forming structures of dispersed and converging forces. Within this transparent “contemporary amber,” I embed diodes, artificial plants, imitation pearls, and piercing rings. objects that simulate nature yet belong entirely to artificial systems. These sculptures explore a state of “bionic failure,” where imitation becomes its own ecology.
Amber of the Everyday2025
Resin, Artificial Plants, Circuit Boards, Stainless Steel, Artificial Pearls
280 x 30 x 30 cm ( 10 pieces)
- Flexible violence in urban space
The fence series examines the overlooked apparatuses that delineate and regulate urban life—railings, warning barriers, and anti-theft structures. Slender and seemingly fragile, they perform a subtle yet persistent form of discipline: a “flexible violence” that does not wound but continuously organizes movement, perception, and psychological boundaries. By translating these urban boundaries into transparent, soft, and colorful sculptural forms, I allow them to escape their controlling roles and become autonomous visual entities, part of the artificial ecologies of the city.
- Puncture, suspension, and the forces between things
In my reinterpretation of Psyche Revived by Cupid’s Kiss, I reconstruct the classical narrative of love through resin, stainless-steel chains, and piercing rings. The structural logic of puncture – connection – suspension serves both as a physical strategy and a symbolic system. It speaks not of romantic love, but of the universal tensions that bind things together — attraction, entanglement, inseparability. This work reflects on love as a force field, a relational condition that extends beyond human emotion into the dynamics between bodies, objects, and space.
